Saturday, 21 May 2016

Evaulation of Unit X


Evaluation- Rachel Elizabeth Curle

Over this recent project I have investigated into pushing the transformation of everyday materials. So in my work I have been constructing and deconstructing materials, which I wanted to carry forward into my projects. These transformations apply in all my art work very well because I enjoy experimenting with everyday materials. Reforming their look and design, I wanted to almost give the materials a new sense of identity.

The inspiration for my work comes from the ideas of altering and transform of the materials I source. I choose to work with the fluorescent colours because of the statement they bring. The colours are what attract the audience first. My work is about creating this large statement with these fluorescent colours however keeping it minimalistic. I choose to keep my work minimalistic because the colours speak for themselves. I found this when I investigated into the materials. Some of the materials are simple mundane materials such as washing lines, fabric, string and wood. Then you have more exciting materials such as elastic and ribbon. With the ribbon I have been experimenting and developing over the recent project because I wanted to investigate how I could create something simple using a deconstructing method.

Constructing and deconstructing are what create the forms throughout my textiles practice. I imitate the textiles I have learnt from a traditional sense to a more contemporary background. I want to create art that shows that textiles can be transformed on a massive scale. Also that textiles isn’t just about old traditional stitches with fabric but that these stitches can be adapted and transformed.

My inspiration comes from everything around me such as scaffolding, building yards, hair, waterfalls and nature. Throughout all of these environments, I look for the repeat patterns and use of lines. I observe and then adapt the formation of line into my samples and final installations. I enjoy transforming all materials to create new lines. I have also looked in more depth into artists that create work using unique materials and the use of repetition.    

Within this project I have been looking more into the contexts and the reasons why I made the choices I did! For the sculpture I created using ribbon, the decision to paint the wood grey was because I wanted it to match the school of arts architecture.

This part of the project has helped me to improve my understanding of how to learn to present my work to others. This all helps in relation to the understanding of my own work. This unit has given me a diverse approach to viewing my art work. I made decisions and created experiments in promoting how I could convert these materials. Construction and deconstruction are the main processes from this unit. I have gained a varied, broader understanding of how I work as a textile artist. Taking part in the textiles in progress exhibition chose to be a challenge. However, I had a chance to show my work off and working to a much larger scale, which I was very proud of!

Friday, 20 May 2016

Ideas for the Degre Show


Ideas for the Degree Show


Ideas for degree show

For this degree show, I want to be able to show my ability of transformation of materials. The show is where I can demonstrate that textiles is not just about traditional textiles but much more about how textiles can become contemporary.

The ideas I have had for the show is to create a transformation sculpture which involves construction and deconstruction of everyday materials. Currently, I have created a piece that has already been part of the textiles in process exhibition however, I wanted to create another similar minimalistic structure. With this piece, I want to see what other everyday materials I can distort to pull up my practice.

I want to use this chance of the degree show to discover what my practice is about using materials to show this to the audience. By keeping the ribbon as a waterfall structure, I wanted to create another structure so that I can have another one to relate too.

 I want the two structures to almost complement each other by sharing the balance of construction and deconstruction. These themes run throughout my work and this is what I want to show to the audience in the degree show.

Thursday, 19 May 2016

Textiles in Process Exhibiton





 

Context


Context

I have been chosen to be part of the textiles in process exhibition in the vertical gallery. I have chosen to be part of the exhibition because I want to discover myself as an artist. I find spaces and particular places interesting as my own textile work plays with scales and this gives me a chance to really prove myself and to show my abilities.

The textiles in process exhibition gave me a chance to work within a real gallery space. In my learning agreement, I wrote that one of the aims for this project was to challenge myself in creating new transformation of materials within a gallery space.

The context of my work relates all back to my research and inspirations. With my research, I looked into how my work can have meaning throughout and by finding myself as an artist, I did this. The context of this project relates all back to how I can transform everyday materials including mundane materials. Mundane materials are boring everyday objects such as washing lines, string and plastics. However, in this project I took a different approach for materials and observed more exciting everyday materials and gave them a new identity.

The exhibition has helped me to discover that spaces influence my work and that I can relate back to the space throughout my work. For in this case I related my sculpture structure back to the school of art by using a similar colour. The concrete has meaning towards the art school, as when I did my research behind the school I discovered that the concrete is used to create a factory sense towards the building. I wanted to bring this into my work as it gives my practice meaning.

 The context of my practice is having a statement piece which uses transformation of materials to relate back to the audience surroundings. Doing this live project of the exhibition has given me reasons to push my practice a lot more, into how gallery spaces can influence my manipulations.

Wednesday, 18 May 2016

Inspiration Images

Robert Morris



Inspiration


Inspiration

Throughout my practice inspirations of the everyday, nature and my surroundings influence my work.    

Within this project I have took inspiration from many different aspects of everyday things. What I look more at is how in everyday objects there are lines in which create patterns. The one shape that stood out to me the most was how scaffolding creates a structure shape. I never took much notice in how building materials could be used as an influence.

Inspiration can come from anywhere, although as an artist I find I like the use of lines. Repetition is used a lot within my work because I have took influence from nature including waterfalls. I chose to look at waterfalls because of the pattern, my unthreading of ribbon was creating. The deconstruction of the ribbon was creating a texture, which was almost like hair. Other peers within my class thought that the ribbon was hair extensions. With this influence, I started to research into how different hair was manipulated into hairstyles.

With my inspiration and practice, I noticed links between all my research and development. The link of this was transformation of materials. Materials are still an essential focus in my practice because these are what inspire me to create the manipulations. The materials are from everyday life use and I transform them into magic sculptures.

A lot of my inspiration for this project has come from the use of materials. The ribbon brings joy to my sculpture because of the use of fluorescent colours and the transformation of the ribbon. The ribbon has this new identity after I have deconstructed it. This is what inspires me to develop new ways of manipulations. Having a tactile feel towards my work provides me with new ideas of how I can process and manipulate my samples.

For this project, the colours have inspired me the most, as I have kept sourcing these colours through the materials I have manipulated. With this influence of colours and manipulation, I started to discover other artists, which use this manner of materials. Robert Morris is an artist that influenced me in the sense of inspiration as his work can really relate to mine because of his use of simple shapes and the minimalistic look.

In this project, I have discovered that I create these crazy transformations of materials but still keep the minimalistic side to them. Discovering that I can still create all these magical transformations and finding new inspiration within my practice, has given me new hope that I can finally define myself as a textiles artist.