After looking and analysing my space I knew that there as
something missing because my neon colours weren’t working with the wood. By
changing the wood this would create a different aspect to my space.
Experimenting and testing took a while because I discovered that too much neon
clashes together. I knew that I wanted my space to produce an impact so I had
to almost make the wood blend in with the background of the space. After my
experiments I made the decision to paint the wood the same colour as the space,
this almost camouflages the wood. Also by changing the balance of the space I
placed the frame on a different angle because I conceived it resembled a tent and
I didn’t want this. I had to have this shape because of health and safety reasons.
However I had to work keeping this in my mind. Commenced to manipulate my shape
the way I wanted it to come across to an audience.
Thursday, 28 January 2016
Sunday, 24 January 2016
Thursday, 14 January 2016
MICHAEL KIDNER
Creating and experimenting with the abstract spaces then
applying some of the improved ideas to the lager space I had my peer’s
reflection on them. I find that having other reflections towards my work helps
me critical analyse what I have created. When I am explaining my concept across
to my peers they need to understand my thoughts, reasoning and choice behind
the selection. These boards are a representation of all that!
Wednesday, 6 January 2016
CONTEXT FOR MICHAEL KIDNER
Mundane materials are the resources we use in everyday life
such as tights, tape, bandages, rubber bands, cling film and fabric. The
context is clear where I am just transforming these materials in to more
interesting art pieces.
Monday, 4 January 2016
MICHAEL KIDNER
Looking back on the space, the colours and materials were
working together. So I took the judgement of creating small spaces to work on
to. However my larger space had no abstract look towards it because I had to
think about the space, stand and it would be stable for me to work on to. In my
drawings they have the abstract look because I didn’t want a plain shape. This
was one of the main reasons and problems of why it is very like a tent to look
at. The problem was that I needed the space on a large scale but sturdy because
of the fact I was stretching materials and I didn’t want it to fall apart.
I took the decision to reflect back on to the space, use
of materials and experiment on smaller spaces. The smaller spaces were easier
to develop because I got to test with different and abstract shapes. I was
still using the same mundane materials; however I combined them with the same
four neon colours. This was to stay related to the context for the playfulness
and experiment of Michael Kidner’s colours. With the spaces I got to start lots
of experiments to do with pinning, tying, knotting and wrapping which I could
apply to my larger space. On the other hand the frames kept my art work and
experiments restricted. The reason for this is I kept to the shape of the space
however in some of my experiments I didn’t cover all the sides which gave the
spaces something different about them compared to the sculptures I covered. The
smaller spaces were abstract and that is what I wanted from the beginning these
odd shapes are what takes your interest because you have never seen that shape before.
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